Every writer is going to have different advice. Take what works for you and leave what doesn’t. I loved Stephen King’s book,
On Writing, but if I’d tried to model myself after his example — writing eight hours a day, six days a week — I’d have been very discouraged. So what follows is a description of what works for me.
The Writing Process
(Warning: the following contains many appalling misquotes of famous people)
Read, read, read. If you don’t read and read a lot, it’s highly unlikely that you’ll be able to write. How are you going to know if something’s any good if you haven’t read widely?
Write. It sounds obvious, but you’d be surprised by how many writers don’t. I once asked this very successful screenwriter if I should take a screenwriting course, and he was all: “why don’t you just try writing?” I thought that was a bit rude, but he was right.
That’s not to say that you shouldn’t take creative writing courses. They can give you the motivation and support to write. But try developing your own routine. Some writers wait until inspiration strikes. I would write about once every three years if I did that. (I am singularly uninspired much of the time). For me it’s about having a set time each day. As soon as I roll out of bed, I make coffee, read my Taoist meditation, meditate for between 3 and 16 seconds (I am such a spiritual poseur it’s almost tragic), then I write. Sometimes I like what comes out. Sometimes I hate it. But I always do it. I believe it was Leonard Cohen who said “You can keep the taps open but you can’t know when the good stuff will come.” Or something like that. The point is that you have a better chance of writing something good if at least the taps are open.
My goal is to fill at least seven pages (I write longhand). When I first started my goal was to write two pages. When I have enough of a particular project written (two or three journals worth) I get someone else to keyboard it. I do this because I hate keyboarding and when I keyboard my own work I tend to “go off it” i.e. fall out of love with it. I throw away as much as I keep and I probably revise my work completely at least four or five times before I show it to my editor.
Around the second or third revision I start getting my team of “ideal readers” to read my stuff. These are avid readers who like the same style of books I do. They give me invaluable “reader response” and I often use their comments to revise my work.
Beware of bad readers! If you’ve spent any time on Amazon.com and checked out the poison that some people spew all over other people’s work, you are aware of how unbelievably rude and insensitive people can be. (Odd fact: the ruder the amateur critic, the worse the spelling. It’s a mystery. Anyway….) Even if your first efforts aren’t perfect, try to find readers who will be able to find the positive in your work. Build on your strengths and work on your weaknesses. If you are funny, be funny. Don’t try to be serious if you are a profoundly shallow person. Don’t try to be flippant if you are a completely serious person who thinks only deep thoughts. This is part of finding a “voice”. Volumes have been written on this subject and I suggest that you take a look at them.
Two of my favourite books for writers are Annie Dillard’s
The Writing Life and Sol Stein’s
How to Grow a Novel.
So what if no one likes your work except your mom and your best friend and you can tell that they are lying? There is only one answer: keep writing. I believe that if you read enough you will have a sense of whether something’s any good or not. Writing’s not a game for the instant gratification crowd. It can take years before you write anything people want to read. You may never write anything that gets published. That’s the reality. The other reality is that writing doesn't pay very well. Most often, writing doesn't pay at all. Very, very few people make their living as writers. So the question becomes, do you love writing? If you do and if you believe that you have something to say, keep going. I can’t remember who said this, but I found it quite inspirational. It was something along the lines of “Many people are going to tell you that you can’t be a writer and they are probably right. But just in case they are wrong, keep writing.”
Another pitfall for writers is the inner critic. This critic can be even ruder and more discouraging than the outer variety. Editing and writing are two separate processes. First write, then edit. If you try doing both at the same time I can almost guarantee you will get horribly discouraged. Trying to write and edit at the same time is like building and renovating a house at the same time. You can’t take it apart until you’ve got it up.
Meg Cabot has some very funny and useful advice on becoming a writer. You can find it at:
http://www.megcabot.com/blog/2003_11_01_cabot-archive.html
I hope this helps. Just in case you can't tell, I think being a writer is the greatest thing in the world. I still can’t believe I’m a writer. In fact, I still get embarrassed even saying it. “Hi, I’m Susan and I’m
ostensibly a writer. You know, I write a bit. Whatever.” Part of me thinks I may be struck down with thunderbolts for my arrogance. But that’s just my overdeveloped inner critic talking. Perhaps I should step up my daily Taoist meditation to 30 seconds.
Coming Up Soon:
Finding an Agent